Shaving the Roberts Method: An Appreciation
by Edward
T. Linenthal, May 2003
In his wonderfully
quirky late nineteenth-century book The Toilet and Cosmetic Arts in
Ancient and Modern Times, Arnold J. Cooley informs his readers that
“in all ages of the world, and among nations and peoples in every grade of
life and civilization, and under every condition arising from geographical
position and climate, the toilet and cosmetic arts, dress, fashions, and
hygiene have…occupied the attention of mankind, and exerted their interest
over them. Indeed, their origin was coeval with that of the sins of our
race, and their existence may be traced back to the expulsion of our first
parents from Eden.”
One need not
necessarily inhabit Cooley’s biblical cosmology to be fairly quickly
convinced that humankind has been enduringly entranced with one of the
chief preoccupations of those who practice the “cosmetic arts”: hair. In
The Unconscious Significance of Hair, for example, Charles Berg
observes that the presence or absence of hair, “its length, texture, curl,
colour, all have their effects upon us and influence our likes and
dislikes and our judgments.” And, notes historian Wendy Cooper in Hair:
Sex, Society, Symbolism, “Once the human race discovered that hair was
good-tempered, pliable, and regenerative, and could be cut, shaved,
shaped, dyed, braided, crimped, curled, waved, puffed, padded, and
frizzled, it proceeded to use hair in a vast variety of permutations of
length, style, and color, in the long continuous search for novelty,
beauty, and status sometimes called fashion.”
Think of the powerful
symbolism of men’s hair! It has, for example, expressed virility (the
biblical story of Samson) and sexual restraint (the tonsured head of a
Christian or Buddhist monk), humiliation—in the forced shaving of the head
of a prisoner or collaborator, or the beards of Jews. Depending on when
one lived, long hair or short hair, a clean-shaven face or a bearded face
could symbolize either civilization or barbarism. Recently, the right of
American citizens to have beards when their religion forbids them to
shave—Muslim policemen, for example--has clashed with workplace
restrictions and had to be adjudicated by the Supreme Court.
The history of shaving
is, of course, intimately intertwined with the changing symbolism of men’s
hair. In America, men have both been fascinated with Cooley’s “cosmetic
arts,” and fearful that such fascination revealed that they were not “real
men,” a tension between, in historian Kathy Peiss’s words, “an emasculated
dandy,” or a “gentleman of rank.” Since the colonial era, however, she
observes that “men continued to pay attention to the mirror. Shaving
paraphernalia, hair dyes and ‘rejuvenators,’ bay rum and brilliantine were
all sold on the market throughout the nineteenth century. Barber supply
catalogues featured face washes, colognes, tinted talcum powders, and ‘cosmetique,’
a perfumed waxy substance used to touch up gray hair. Except for shaving
and hair care, however, cosmetic practices among men became largely covert
and unacknowledged.”
Barbershops, of course,
were male space where attention could be paid to the “cosmetic arts”
without fear of blurring gender boundaries. There is now an interesting
literature of nostalgia about the “vanishing” barbershop as a relic of
supposed “simpler” times in America. It was a “special environment,”
writes Mic Hunter in The American Barbershop: A Closer Look at a
Disappearing Place, “with its familiar sweet smells, soothing snip of
scissors and hum of electric razors, relaxed schedule, and idle banter.”
The revolution in men’s
shaving that came about with King Gillette’s invention—about which Charles
Roberts has written in another essay on this website—began to break down
inhibitions among American men about acknowledging publicly an interest in
treatment of the face. Gillette ads trumpeted men who shaved at home as
industrious, independent, and, writes Kathy Peiss in her important book
Hope in a Jar: The Making of America’s Beauty Culture, “manufacturers
of shaving supplies invoked good grooming as an entrée into the new
corporate economy, the means by which men created their own
references….How could businessmen read character in the faces of
unfamiliar job applicants or potential partners? Toilet-goods companies
answered, ‘A good face is the best letter of introduction.’”
It was into this
post-World War II world of barbershops--and the cultural conviction that
clean-shavenness and a close haircut were signs of a “real” man--that I
was born. Like so many others, I was fascinated watching my father shave,
understanding the act as one that marked you as a “grown-up.” I loved the
smell of the lather, knew that carefully using a sharp blade—about which I
was duly cautioned—was surely one sign of being a man: the ability to
handle dangerous objects. By the time I reached college in 1965, however,
men’s hair once again symbolized deeper cultural tensions: “long-hairs”
and “hippies” replaced bearded “beatniks,” and many of my friends grew
facial hair as another sign of social protest against the clean-shaven,
orderly, and to their minds, oppressive corporate culture. I could never
practice such bodily protest, largely because my hair grew like a Brillo
pad, and my beard, while rough, was too uneven for a beard (and, truth be
told, for me the “revolution” would have foundered on a terminally itchy
face).
So, I joined in what
Charles Roberts aptly decries as “slash and burn” shaving with whatever
“latest and greatest” shaving experience was available on the mass market.
I knew no better. I thought about shaving—insofar as I thought about it at
all--as something akin to having to remove a splinter every morning. It
was a dreary, painful, daily inconvenience. Consequently—and how familiar
is this story—I spent decades with a rough uncomfortable face, and
mornings that moved all too quickly from waking into a regime of
efficiency. (Perhaps our old friend Arnold J. Cooley was indeed on to
something when he spoke of the origins of the need for the “cosmetic arts”
in the expulsion from paradise!) Shaving was, for me, certainly cruel and
unusual punishment. As Bill Cosby declared, “Actually, all I wanted was a
clean shave, not a self-sacrifice.”
After many years of
shaving in the shower with a micro-blade, I became adventurous and bought
a very expensive electric razor, and tried to convince myself that this
was an improvement. It was not. In retrospect, it was the mark of my truly
fallen state. So, without knowing what I was doing, I searched the web and
serendipitously, discovered Enchantè. Jean Roberts listened patiently and
graciously to my tale of woe and said, gently, “You really need to talk
with my husband Charles. He knows quite a lot about shaving.”
Shortly thereafter,
Charles Roberts called and we spoke for almost three hours. He described
to me his diagnosis of the dreary condition of men’s shaving, and how he
had discovered a better way, which he delighted in demonstrating to
clients in his shaving clinics in Austin
and even through instruction over the telephone. During our conversation,
Charles never pushed me to buy products. He immediately turned my
attention, however, away from a “great razor,” which I thought,
mistakenly, was the key to the whole thing, to a great brush. I recall
vividly looking at the price of Simpsons brushes on Enchante's website,
and thinking to myself, “this much money just for a shaving brush?” Now,
of course, I would not part from my handmade Simpsons “Chubby #3” brush.
I could not imagine shaving without it, and I consider the expense a
worthy investment in something I will use with pleasure every day for
the rest of my life.
Toward the end of that
first phone call, I said, “yes, I’d like to try your method of wet
shaving, and I’m willing to invest in the necessary products.” So began my
ongoing relationship with Enchantè. I have not for a moment regretted this
decision nor my monetary investment in wondrous products. And, quite apart
from the world of men’s shaving, I have enduring respect for the core
convictions by which Jean and Charles Roberts operate Enchantè. I will
conclude this essay with some words about the pleasures and logic of
shaving the “Roberts method,” and a brief reflection about their way of
doing business that is worthy of our deep respect.
Several months after
beginning to shave the Roberts method, I was in the steam room at our
local YMCA where I swim regularly, and as usual, some friends were shaving
with disposable razors and no lather, just the moist heat of the steam
room to soften their beards. I recalled shaving like this myself, and
shuddered at the barbarity of it all! So—with the understandable if all
too predictable fervor of the newly converted--I began a conversation
about the wonders of wet shaving. As we spoke about brushes, creams, and a
systematic method of shaving, someone said to me in an utterly incredulous
tone, “you spend twenty minutes or more shaving, and you spend REAL MONEY
to do this? Are you crazy? Here, let me show you how to shave!” And with
that, he ran a disposable quickly over his face, and proclaimed himself
shaved. Thus endeth our wet shaving discussion in the steam room.
It occurred to me as I
thought about the “moral” of this story that there are many, many men who
have no desire to think about shaving as anything else than a disposable
act with a disposable razor. And their “tone-deafness” to the wonders of
wet shaving, if lamentable, is simply a fact. However, if you are reading
these essays, chances are you either are already or are thinking seriously
about practicing a civilized form of wet shaving. If so, welcome to your
new home at Enchantè, for you have come to the right place. You will
discover in your discussions with Charles Roberts a marvelous method for
wet shaving, magnificent products that make shaving a pleasurable
experience for the senses and the skin, and a wider context into which wet
shaving is located, the “shave facial.”
I will not go into
detail about the actual method of wet shaving. You will discover this in
your conversation with Charles Roberts. Let me simply say that beginning
in mid-December of 2002, I picked up my Simpsons “Chubby #3,” shave
conditioning soap, Trumper’s sandalwood shaving cream, a double edge razor
and a Gillette Sensor, a detailed set of instructions from Charles
Roberts, and armed with these formidable weapons and a steaming hot basin
of water, went to war on my intractable beard. When finished, I used
Enchante’s spectacular after shave products: D.R. Harris’s “Pink” after
shave—without question one of the cornerstones of western
civilization—Trumper’s “skin food,” and Cellmen skin cream. I will never
forget that first “rush” of powerful fragrances, the soothing feel of
soap, water, cream, the glide of blades across properly prepared skin, and
the incredible soothing power of the after shave products. To these
estimable goods, I have since added (or sometimes substituted) rose spray
(a necessity), a variety of different shave creams, each adding variety to
the morning: Trumper coconut, rose, almond, sandalwood, Coates’s wonderful
violet, and Truefitt and Hill’s subtle shave cream scent. Happily, there
are now two new and incomparable products produced by Charles Roberts
himself: sandalwood or lime after shave cream, and a product I will
never be without, a neroli shaving balm, for use during and after a
shave.
The Roberts method
makes use of the power of these fine products. Each step is important, and
Charles Roberts will take an initiate through them: from learning how to
“load” a brush with just the right balance of water, soap, and cream, so
important in putting down a protective barrier across the full shaving
terrain, to different shaving “cuts” with the blades, so important in
disciplining the beard, to the important post shave treatment. What one
will learn, however, is more than just a way to shave, but a rather
different way to think about shaving as part of the treatment of one’s
face. There are certain ways men can discipline their bodies in socially
acceptable ways: faddish diets (not very useful, of course) or more
substantively, physical exercise and for some, spiritual bodily
disciplines such as yoga or meditation. But, curiously, the classic
ambivalence about what it means to be a “real” man creeps in when men
think about treatment of their face! I find Charles Roberts’ concept of
the “shave facial” intriguing, because it locates the act of shaving
within this more expansive concept of treatment of the face. One
prepares the face for shaving, one disciplines the beard through
shaving, and one soothes the face after shaving, by using quality
products in concert with a systematic process, the Roberts method.
You have the
opportunity to learn all this for yourself. Take the time. Carve out a few
moments of—dare one say it??—some aromatically sensual time in the morning
to enjoy the process, enjoy the products, and enjoy how your face will
feel the rest of the day. Each shave, of course, is different, each
another in the endless quest for the perfect shave! There will be days—at
least there are for me—when if I am hurried, or preoccupied, I won’t shave
as well. I’ll leave a rough patch or I’ll over cut an area. Of course, you
will have questions, and this takes me to the Roberts philosophy of
business.
One day, several weeks
after I began shaving the Roberts method, I developed a bad rash on one
side of my neck. At first, I panicked. “Oh no,” I thought, “I’ve spent all
this money, and it is not going to work for me!” I called Charles, he told
me I was, in fact, over cutting, and told me what to do about it. Problem
solved. I am sure I never would have spent the money on a good brush, or
the soaps, creams, and other products if I had not been convinced during
our first conversation that Charles and Jean Roberts were among the chosen
few business people who cared, really cared, about their clients.
Never will you call and feel like they are doing you a favor to
listen. Never will you get bad advice about a product! Charles
Roberts once said to me that he and Jean believed they had a “sacred
trust” with their clients. And I can tell you from personal experience
that this is not just empty rhetoric. They mean it, and demonstrate it in
every facet of their business, from the excellence of the products they
bring into their store, to their conscientiousness with any client who
needs their time and expertise, be it about men’s wet shaving, the best
soaps for different skin, or aromatic fragrances of all kinds. How could
one not enjoy doing business with such folks? They are the best. Find this
out for yourself. You won’t regret it.
###
Edward T. Linenthal
is a historian and writer. His books include: Sacred Ground:
Americans and Their Battlefields; Preserving Memory: the Struggle to
Create America’s Holocaust Museum; History Wars: the Enola Gay and Other
Battles for the American Past, (co-edited with Tom Engelhardt); and
most recently, The Unfinished Bombing: Oklahoma City in American
Memory.
Quoted material from:
Charles Berg, The Unconscious Significance of Hair (London: George
Allen & Unwin, 1951); Arnold J. Cooley, The Toilet and Cosmetic Arts
in Ancient and Modern Times (London: Robert Hardwicke, 1886); Wendy
Cooper, Hair: Sex, Society, Symbolism (New York: Stein and Day,
1971); Mic Hunter, The American Barbershop: A Closer Look at a
Disappearing Place (Mt. Horeb, WI: Face to Face Books, 1996). Hunter’s
book is also the source of the Cosby quote. Kathy Peiss, Hope in a Jar:
The Making of America’s Beauty Culture (New York: Metropolitan Books,
1998).
Recommended Reading:
Ronald Barlow,
The Vanishing American Barbershop: An Illustrated History of Tonsorial
Art, 1860-1960 (El Cajon, CA: Windmill Publishing, 1993).
Kurt Chandler,
Shaving Lessons: A Memoir of Father and Son (San Francisco: Chronicle
Books, 2000).
Elliot Horowitz,
“The New World and the Changing Face of Europe,” Sixteenth Century
Journal, XXVIII/4 (1997): 1181-1201.
Phillip L. Krumholz,
A History of Shaving and Razors (Bartonville, IL: Ad Libs
Publishing Co., 1987).
Alan Peterkin,
One Thousand Beards: A Cultural History of Facial Hair (Vancouver:
Arsenal Press, 2002).
Wallace G. Pinfold,
A Closer Shave: Man’s Daily Search for Perfection (New York:
Artisan, 1999).
Reginald Reynolds,
Beards: Their Social Standing, Religious Involvements, Decorative
Possibilities, and Value in Offence and Defence Through the Ages
(Garden City, NY: Doubleday & Co., 1949).
Mark A. Swiencicki,
“Consuming Brotherhood: Men’s Culture, Style and Recreation as Consumer
Culture, 1880-1930,” Journal of Social History, 31, no. 4 (Summer
1998): n.p.
Shane White and
Graham White, “Slave Hair and African American Culture in the Eighteenth
and Nineteenth Centuries,” The Journal of Southern History, LXI,
no. 1 (February 1995): 45-76.
Copyright © Edward T. Linenthal -
2008.
All rights reserved.
Permission required from the author for re-publication in any form.
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